Each Museum, Gallery or shop has a specific body of work which can not be find in other places. Exclusivity is very important and it's a way to respect all my collaborators for which I feel a great admiration and thank them for believing in my work. If you want to represent my work, want to know more about my available pieces or where to find them, don't hesitate to contact me directly on catalina.brenes@gmail.com. It would be a pleasure for me to help you in anything I can or send you any information that you request regarding my work. Thank you in advance for your interest.
Tuscany, Italy | Private showroom only by appointment. | Contact directly for appointment to : catalina.brenes@gmail.com |
Stuttgart, Germany | ARTANI GmbH | Address: Eberhardstrasse 31. D-70173 Stuttgart, Germany. |
Florence, Italy |
Galleria Antonella Villanova | Address: Via del Parione 47r, 50123. Florence, Italy. |
Modena, Italy | Argentoro - Modena. | Address: Via Carteria 9. Modena, Italy |
Riga, Latvia | Putti Gallery | Address: Mārstaļu iela 16. Rīga, Latvia |
Stockholm, Sweden | SMID/ Stockholm | Address: Skånegatan 70. Stockholm, Sweden |
Beijing, China | ARRTCOcollection Beijing | Address: 3B-111,B1,China World Trade Center Phase 111, No 1, Jianguomen Wai Avenue. Beijing, China |
Barcelona, Spain | La Basilica Galeria | Address: Carrer de Sant Sever 7. Barcelona, Spain |
Lille, France | Galerie Bettina Flament | 7 Rue Bartholomé Masurel. Lille, France. |
Tokyo, Japan |
Het Labo atrium by Hatzuko Kobayashi | 5-16-2, Nishishinjuku, Shinjuku-ku, Tokyo 160-0023 Japan. |
"Time and Form" work at |
Galerie Marzee | Address: Lage Markt 3, 6511 VK Nijmegen, Netherlands. Irene Belfi Gallery | Address: Via Nino Bixio 12, 20129 Milan, Italy. |
"Time and Form" work at Private and Public collections |
CODA Museum, Vosselmanstraat 299, 7311 CL Apeldoorn, Netherlands. MUDE - Museu Do Design e Da Moda, 1100, R. Augusta 24, 1100 Lisbon, Portugal. Private collection : Mrs. Cleland, Australia. | Mrs. Costa, Portugal. | Schuit Collection, Netherlands.
|